Ebook Iron Maiden: Guitar Play-Along Volume 130 (Hal Leonard Guitar Play-Along), by Iron Maiden

Ebook Iron Maiden: Guitar Play-Along Volume 130 (Hal Leonard Guitar Play-Along), by Iron Maiden

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Iron Maiden: Guitar Play-Along Volume 130 (Hal Leonard Guitar Play-Along), by Iron Maiden

Ebook Iron Maiden: Guitar Play-Along Volume 130 (Hal Leonard Guitar Play-Along), by Iron Maiden

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Product details

Series: Hal Leonard Guitar Play-Along (Book 130)

Paperback: 72 pages

Publisher: Hal Leonard; Pap/Com edition (April 1, 2016)

Language: English

ISBN-10: 1423496833

ISBN-13: 978-1423496830

Product Dimensions:

9 x 0.2 x 12 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#790,243 in Books (See Top 100 in Books)

These book no longer come with backing track in CD form,...I already knew the songs,...and could play them against the youtube backing track,...I got this simple you the actuall CD that they use to include,...the downloadable MP3 format does me no good,....if you don't know the songs, just get the Iron Main guitar tab book with like 25 or 30 songs in it.

Great book!

As advertised.

Love it

The tablature comes with an authorization code so that you can download the accompanying tracks. There are two version music version of each song - one with the guitar parts that are in the tablature. And, one that is a backing track and you supply the guitar. Neither version of the songs contain vocals so they don't get in the way of hearing what it is that you are trying to learn. It would have been great if they would have included Power Slave, but maybe Hal Leonard will create a volume 2. I have several of the HL Play-Along books and the audio recordings make learning new material fun and no so boring. The two Ozzy Osbourne PAL books by Hal Leonard are also very good.

Got this in a few days ago for my dad for Father's Day. It came in with a bend in one of the corners and along the top of the book. But other than that, it seemed to be in fair condition. The pages also seem to be in proper order from the looks of it. My dad loves and and I'll have to prepare myself for when he plays using the book! I'm sure he'll be playing a lot more often!

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Iron Maiden: Guitar Play-Along Volume 130 (Hal Leonard Guitar Play-Along), by Iron Maiden PDF

Iron Maiden: Guitar Play-Along Volume 130 (Hal Leonard Guitar Play-Along), by Iron Maiden PDF

Iron Maiden: Guitar Play-Along Volume 130 (Hal Leonard Guitar Play-Along), by Iron Maiden PDF

Iron Maiden: Guitar Play-Along Volume 130 (Hal Leonard Guitar Play-Along), by Iron Maiden PDF

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Ebook Changing the Game: The Stories of Tennis Champions Alice Marble and Althea Gibson (Women Who Dared Series), by Sue Davidson

Ebook Changing the Game: The Stories of Tennis Champions Alice Marble and Althea Gibson (Women Who Dared Series), by Sue Davidson

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Changing the Game: The Stories of Tennis Champions Alice Marble and Althea Gibson (Women Who Dared Series), by Sue Davidson

Ebook Changing the Game: The Stories of Tennis Champions Alice Marble and Althea Gibson (Women Who Dared Series), by Sue Davidson

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Product details

Age Range: 10 and up

Grade Level: 5 and up

Series: Women Who Dared Series (Book 3)

Paperback: 180 pages

Publisher: Seal Press (May 12, 1997)

Language: English

ISBN-10: 1878067885

ISBN-13: 978-1878067883

Product Dimensions:

5.8 x 0.8 x 8.8 inches

Shipping Weight: 9.4 ounces

Average Customer Review:

Be the first to review this item

Amazon Best Sellers Rank:

#3,376,769 in Books (See Top 100 in Books)

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Changing the Game: The Stories of Tennis Champions Alice Marble and Althea Gibson (Women Who Dared Series), by Sue Davidson PDF

Changing the Game: The Stories of Tennis Champions Alice Marble and Althea Gibson (Women Who Dared Series), by Sue Davidson PDF

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PDF Download Images of Organization

PDF Download Images of Organization

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Images of Organization

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Review

Professor Morgan, I only recently received a copy of Images of Organization (updated edition) as a desk copy to review for the I/O Psych class that I teach. I just started reading your book I am absolutely blown away by it. I cannot believe that I had missed this marvelous work. My ignorance knows few, if any, limits! You pull together such a span of ideas and integrate them beautifully with your own angle, stimulating one′s thinking. This is the kind of mind opening perspective to which I like to expose my classes. Thank you for condensing it so powerfully. By the way, the bibliographic notes are as exciting a read as is the rest of the book. I look forward to devouring the rest of the book. James Michael Burke, Ph.D.Virginia Commonwealth UniversityL. Douglas Wilder School of Government and Public AffairsCenter for Public Policy Author: Letter from James Michael Burke, Ph.D. Published On: 2006-10-03"This is the new updated edition of a classic published over 20 years ago. The book is based on the simple premise that all theories of organization and management are based on implicit images of metaphors that stretch our imagination in a way that can create powerful insights, but at the risk of distortion. The author provides a rich and comprhensive resource for exploring the complexity of modern organizations internationally, translating theory into practice." Author: APADE Published On: 2006-12-05“A universe of thanks to you for spearheading the metaphoric, creative thinking about organizations. Your method has essentially electrified my teaching.” --Mohammad A. Auwal, CSU, Los Angeles Author: Mohammad A. Auwal Published On: 2007-01-25"Let me say that I′ve loved teaching this course for over 10 years now, in part, because your book (and now the excellent CD) are so well thought out. You deserve a bow. Bravo." Author: Jim Bonilla Published On: 2007-02-26"This book is based on the simple premise that all theories of organization and management are based on implicit images of metaphors that stretch our imagination in a way that can create powerful insights, but at the risk of distortion. The author provides a rich and comprehensive resource for exploring the complexity of modern organizations internationally, translating theory into practice." Author: Abstract of Public Administration Development and Environment Published On: 2007-04-16

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About the Author

Gareth Morgan is well known for his creative contributions to management. He is the author of seven books, including Images of Organization, Creative Organization Theory, Imaginization and Riding the Waves of Change. He acts as consultant and seminar leader to numerous organizations throughout Europe and North America, and is Distinguished Research Professor at York University in Toronto. He has sat on the editorial boards of the Academy of Management, and Organization Studies; and is a Life Fellow of the International Academy of Management. Born in Wales, he now lives in Toronto with his wife, Karen and their children Evan and Heather.

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Product details

Paperback: 520 pages

Publisher: SAGE Publications, Inc; Updated edition (May 9, 2006)

Language: English

ISBN-10: 1412939798

ISBN-13: 978-1412939799

Product Dimensions:

6 x 1.2 x 9 inches

Shipping Weight: 1.9 pounds (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

71 customer reviews

Amazon Best Sellers Rank:

#47,301 in Books (See Top 100 in Books)

Morgan's Images of Organization is a well written book. I purchased this book for a class in Adult Education, and it is remarkably interesting. The book is organized around eleven chapters and a postscript. The most interesting parts of the book are Chapters 2 through 7.CH 2: Organizations as MachinesCH 3: Organizations as OrganismsCH 4: Organizations as BrainsCH 5: Organizations as CulturesCH 6: Organizations as Political SystemsCH 7: Organizations as Psychic PrisonsThese chapters represent the majority of the material relevant to organizational theory. Anyone who wants to learn more about organizational design should read this book

Book for school

The entire book is made up of metaphors which is kind of confusing, but it will keep your mind going trying to understand what's going on and relating it back to your experiences.

This book was very informative but seemed packed with too much information and at times confusing. If my instructor had not assigned Intro to Public Administration along with this it would have been a little more difficult. Too much for a beginner.

Gareth Morgan has created a resource for global managers! The images of organization educate the reader on the eight metaphors, that, are designed to teach valuable insight on the different behaviors encountered in the workplace. This book is a well written artifact. Too bad there isn't a certifiable study guide that compacts the information for busy scholars!

This book opened my eyes to theories that have employed for a long time in industry. It provides a better understanding of organizations, their structures, and many management techniques used to make big companies successful.

This book gives key insight into contemporary rhetoric techniques that organizations use. It helps you understand the basis of a lot of beurocracy and how it works. With any book like this, you can find strong points of disagreement in their argument, but through a critical view, you can pull good points of knowledge to help form an acurate understanding of organizations as a whole.

This book is required reading in all of my organizational development courses. Best OD book ever written in my opinion.

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Free Download A Hut of One's Own: Life Outside the Circle of Architecture

Free Download A Hut of One's Own: Life Outside the Circle of Architecture

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A Hut of One's Own: Life Outside the Circle of Architecture

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Amazon.com Review

Subtitled Life Outside the Circle of Architecture, this book takes "a stroll through the borderlands that surround architecture" to bestow a quiet nobility on huts, shacks, shanties, teahouses, follies, and casitas. Writer Ann Cline is a professor of "capital-A Architecture," as she proffers in an up-front confession. But she has built and occupied a hut, and her thoughts on what she terms "life in the margins" are illuminating. In one example, she reveals that in "the years I had gazed out at a row of pomegranate trees at the rear of my yard, I never knew overripe pomegranates sometimes burst open. Reading in my hut one autumn evening, the sudden sound of a pomegranate cracking open riveted my attention." "Everyone knows what 'the hut' stands for," Cline writes. She references the solitary St. Anthony, Lady Chatterly, and Heidi in three successive sentences and quickly moves on to Po-I and Shu-chi, "the world's first recorded recluses," and Lao Tzu, who "recommended refuge" in troubled times. Cline's prose waxes wordy when she forays into art criticism, but at her best she writes with tender understanding about shack builders and dwellers: the mentally ill, the urban homeless, children in playhouses, and the Japanese wabi, who are drawn to a rustic life and who transform poverty into simplicity, a virtue, and a blessing. Some of her ideas may ring bells for readers who loved such counterculture staples as Handmade Houses: The Woodbutcher's Art, or such celebrations of simplicity as Tiny, Tiny Houses. But Cline's book is infinitely broader than either of those, although lacking their visual pleasures (all the photographs are small black-and-whites). A Hut of One's Own is a thinker's book, with a place on both the architecture and philosophy shelves, but thinker-builders should be entranced by it too. --Peggy Moorman

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From Publishers Weekly

Every child has felt the magic of a rainstorm from beneath a rickety porch roof, or some makeshift structure. In this passionately written m?lange of autobiography and architectural criticism, Cline describes growing up in and later building structures that would re-create the experience of being barely protected from the big world outside. She begins by quoting work from different cultures that reflect nature as experienced from hut-like structures, as in these lines from ninth-century Chinese poet Po Chu-i: "Already I feel that both in the courtyard and house/ Day by day a fresher air moves./ But most of all I love, lying near the window-side,/ To hear in their branches the sound of the autumn wind." Cline has long been interested in the Japanese tea ritual, and the tea hut became the model for Cline's structures. While many passages describing experiences from huts are engagingly sweet and stir innocent memories (madeleine, anyone?), the rest of the book tends toward an over-reaching criticism of all architecture and even culture. Arguments borrow from a broad range of disciplines and are ultimately bound only by Cline's strong opinions. The result lies uncomfortably somewhere in between a researched study of the Hut; a gentle, poetic description of Cline's own projects; and a polemic on the state of architecture and architects' motivations. This is a brave book, nonetheless, that asks readers to try to understand the interaction of one's surroundings with every aspect of daily life, mundane and metaphysical. Copyright 1998 Reed Business Information, Inc.

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Product details

Series: The MIT Press

Paperback: 176 pages

Publisher: MIT Press (April 10, 1998)

Language: English

ISBN-10: 9780262531504

ISBN-13: 978-0262531504

ASIN: 026253150X

Product Dimensions:

5.5 x 0.4 x 8.5 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#936,619 in Books (See Top 100 in Books)

Thanks!

If I were a student of architecture, I might find merit in this wordy disquisition about tea houses and follies and other quaint little structures. But I'm not. I'm just a schlep who is deeply curious about the EXPERIENCE of building and living in a hut. The subtitle, *On Life Lived outside the Bounds of Architecture,* led me to believe that's what the book would actually be about. Mea culpa, for having brought such intensely passionate expectations to what is a perfectly innocent but drab little book.

Space is at a premium in my tiny apartment, but there will always be room on my bookshelf for "A Hut of One's Own." Ann Cline's meditation on architecture, art, and culture is fragmented in places, and doesn't deliver big glossy visuals or a knockout blow to the senses. Rather, it's a quiet book that unfolds with fresh opinions, and acute observations. It's thought-provoking reading for artists, architects, and intellectuals of all stripes. I've had the book for years, and still find myself returning to it.

I read this book after I spent a quarter researching Traditional Japanese teahouses and their contemporary equivalents at Evergreen State College, and was well prepared for its message. Ann Cline's commentary on architecture and ethics is profound, outside of the times, and certainly out of the realm of America's manufactured-dependent, celebrity hyped culture. Nothing she tells you will make you money or make you famous. But if, like me, you are troubled by architecture that mocks us by flaunting its massive concrete cantilevers or shadows us with its creator's ostentatious erections, then read this book (slowly) and think about building a hut. In your mind.

The title gives the impression that you are going to be whisked away into that world everyone dreams about - your secret place. But in reality it doesn't quite do that. The photography is poor and the diagrams are not labeled adequately. Shame as I really wanted to enjoy this book.

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Free Download The Collector's Guide to Playing Cards

Free Download The Collector's Guide to Playing Cards

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About the Author

Mark Pickvet was born in Pinconning, Michigan, in 1963. He has a PhD in glass history and has written many books on glassware and other collectibles. He currently lives in Flint, Michigan, with his wife and daughter.

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Product details

Paperback: 160 pages

Publisher: Schiffer Publishing, Ltd. (March 28, 2014)

Language: English

ISBN-10: 076434482X

ISBN-13: 978-0764344824

Product Dimensions:

8.5 x 0.8 x 10.8 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#669,860 in Books (See Top 100 in Books)

I am very pleased and would do business again if the opportunity arose.

I am having a great time finding the value of dozens of packs of playing cards left to us by my husband's uncle. Thank you!

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The Collector's Guide to Playing Cards PDF

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Download Ebook Laurie Simmons: Walking, Talking, Lying, by Laurie Simmons

Download Ebook Laurie Simmons: Walking, Talking, Lying, by Laurie Simmons

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Laurie Simmons: Walking, Talking, Lying, by Laurie Simmons

Download Ebook Laurie Simmons: Walking, Talking, Lying, by Laurie Simmons

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From Publishers Weekly

Populated by sad, anonymous dolls, walking houses and ventriloquist dummies, Simmons's photographs and installations elicit an unlikely mix of uneasiness and nostalgia. In the 1970s, she crafted miniature dramas of quiet desperation and conspicuous consumption by constructing and photographing tiny, delicate tableaux of solitary female dolls amid mod furnishings and appliances. As Kate Linker points out in her extensive opening essay, the ambivalent relationship between these little people and their various consumer goods has, in some form or another, remained a constant theme throughout the artist's career; Simmons herself calls it "the confusion between ourselves and our possessions." In the 1980s, this confusion became more literal in Simmons's Walking and Lying Objects series, in which purses, cameras and baked goods are pictured with human legs. Perhaps most affecting, thanks in part to this volume's beautiful full-color reproductions, is a later series of portraits of ventriloquist dummies. Atmospherically lit and shot against stylized backgrounds, these figures appear eerily human. But that's nothing compared with the somewhat bizarre culmination of Simmons's work—photographs of the artist herself in the form of a custom-made dummy. All in all, this is an unexpected, visually enticing document of an audacious, odd talent. 104 color images. (Oct.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Review

"One of the first contemporary American photographers to have created elaborately staged narrative photographs, this book concentrates on selected series that illuminate ideas that cut through Simmons entire body of work -- willfully ambiguous interplay between objects, figures and backgrounds, and the way specific things or settings take on strange powers in her photographs." --HotShoe International"Populated by sad, anonymous dolls, walking houses and ventriloquist dummies, Simmons's photographs and installations elicit an unlikely mix of uneasiness and nostalgia... this is an unexpected, visually enticing document of an audacious, odd talent." --Publishers Weekly"Walking Talking Lying moves selectively through Simmons's career as an object observer, honing in on her doll works, her eerie ventriloquist dummies (female versions bear her own face), and her jarring images of partly human things, like a walking handbag or a book on legs." --The Village Voice"Walking Talking Lying focuses on a series of Simmons's photographs that document objects that have somehow acquired human limbs and ventriloquists' dummies as, seemingly off-duty, they lounge around. Looking at them, the viewer is plunged into a world in which nothing seems natural and everything is staged." -- Kate Linker --Modern Painters: International Arts and Culture

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Product details

Hardcover: 156 pages

Publisher: Aperture (October 15, 2005)

Language: English

ISBN-10: 1931788596

ISBN-13: 978-1931788595

Product Dimensions:

10 x 0.8 x 11.5 inches

Shipping Weight: 2.7 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#354,739 in Books (See Top 100 in Books)

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Download PDF Iron Gold

Download PDF Iron Gold

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Iron Gold

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Audible Audiobook

Listening Length: 23 hours and 23 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Recorded Books

Audible.com Release Date: January 16, 2018

Whispersync for Voice: Ready

Language: English, English

ASIN: B074NGJ6NK

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I hate to be the voice of dissent here. But Pierce Brown set himself up by raising the bar impossibly high with all three installments of the Red Rising.Most of the elements (original pattern of speech, rich vocabulary, unapologetic exploration of emotional and philosophical undercurrents, unpredictable twists and turns, constant play of contrasts) that made the Red Rising a masterpiece, surviving my multiple re-reads, are preserved in this book but the soul is missing.Unlike its predecessors, this book is not blessed with self-awareness. I felt so far from the characters and the events like the story has been told too many times before it was written on the pages in front of me.I did get into it around the 80% mark. I wouldn’t even mind cliffhanger if the ride to the cliff was real and not a holo-immersion.Lysander's arc was not essential to this story. I assume it builds the next installment and was added to preserve the chronology. But it was distracting, albeit enjoyable. Lyria's arc is shallow, lots of telling and very little showing after she gets to Luna. I wanted to see Lyria's anger and isolation in a dialogue with other colors which would have helped the world building from the inside out.Too many planets to handle: Luna, Venus, Earth, Io. Too many social powers: Republic, Society, The Red Hand, Syndicate, The Rimm, houses, disassembled Sons of Ares. All of these elements are introduced through too many descriptives, page after page. To be a five-star book, the page count has to double. Or better yet, split it into two books with Lyria's and Lysander's points of view earning the spot of the main arc in two separate books. I will not abandon this author and the Red Rising series. I will not advise any readers to not read this book. Just prepare to put work into it and, perhaps, be ready for a mild disappointment the finish line. The hope for the future books to come is still alive and well. ADDED LATER: Try reading Lysander's point of view as a novel, skipping all others. And then try reading Ephraim's, Darrow' and Lyria's POVs​ as intended (skipping Lysander's). It flows so much better and your emotions are not at a constant​ "stop-and-go" pace.

First off, I believe Pierce Brown's original Red Rising trilogy (Red Rising, Golden Son, Morning Star) is one the greatest science fiction sagas in modern literary history. A blend of Star Wars and Game of Thrones - with no fantasy or extraterrestrial elements - the original trilogy offered readers a fully-realized world and nuanced takes on war, empire, and class systems, while also delivering a rip-roaring adventure story.However, Iron Gold - the first installment in a new trilogy set in the same universe - falls a little flat.The revolution is over. Set 10 years after the events of Morning Star, Iron Gold is about what it looks like to rule after a revolution and regime change. Once again, Brown creates a believable world preoccupied with moral dilemmas about politics, war, and power. And, instead presenting the entire narrative from the point-of-view of one protagonist (Darrow), Brown introduces three more POV-characters - which expands the scope of the series considerably.However, one of my issues with this book is its over-reliance on secondary characters. The future society in the Red Rising series is heavily influenced by ancient Roman culture, so nearly every proper noun in the series is unfamiliar to the reader. While this an unique spin (and, honestly, one of the distinctive elements and main draws of the series), it makes keeping track of all the different characters incredibly difficult once things start getting complicated.And, boy, do things get complicated fast.Between all the different Colors, Houses, planets, factions, dynasties, political parties, alliances, underworld gangs, rogue military units, marriages, spies, traitors, sibling rivalries, children, and family grudges, you'll be wishing for a far more detailed index of characters and places than is offered at the start of the book. Kudos to Brown for creating a world that rivals George R. R. Martin's labyrinth of interweaving characters in such a short amount of time.In other words, if you don't have encyclopedic knowledge of the Red Rising universe, you're probably going to spend at least a 1/3 of this book lost and confused.Multiple times throughout the book, I couldn't tell if I was being introduced to a new character or reintroduced to a character I should already know. And, unfortunately, this sapped a lot of the emotional urgency from the narrative when some of these characters were in danger or met grisly ends.At 600 pages, Iron Gold is the longest book in the series thus far, but it doesn't feel as if too much really happens. The action scenes are few and far between, and there are so many characters they sometimes feel as if they've been reduced to pieces moving on a chessboard than fully realized people.I know it sounds as if I'm being overtly negative, but the original trilogy was so riveting, engaging, and personal, it's hard not to feel a little let down by a novel that wants to be so much more than the sum of its parts. With all that being said, there are several elements of the book I can praise.Whether it's an orbital bombardment, beachfront assault, or one-on-one combat, there are very few writers who can capture the horrors of war with such beauty and mess. And Brown is a master at plotting. His ability to create unexpected confrontations and scenarios in a genre so overridden with cliches is second-to-none. At no point was I ever bored.Even though it was (more than) occasionally frustrating, I enjoyed my experience with Iron Gold. I have to remind myself that it's a setup for an entirely new trilogy arc. I am excited for the next installment, and I genuinely care what happens to the characters - including some of the new additions. I'm looking forward to Dark Age, which is due out this fall.

I was a stalwart proponent of the original trilogy. Despite having a derivative genre to bloom in, Red Rising carved out a place at the top of the mountain of contemporary science fiction. Pierce Brown displayed his skill as nothing less than a master architect and poetic genius.This first of a new trilogy struggles, predictably, to meet its own bar. I hoped for a new installment to rival the first trilogy, but I did not expect it. Pierce’s authorial life is much more full this go around - his considerations much more complex. This book comes on the heels of a whirlwind success, there are new demographics, infinitely more input, the legitimate potential of screen adaptation, whereas the first trilogy was penned without expectations. So many more variables played into the writing of this and so much less time. This is predictable. Sad, but expected.Nonetheless, despite falling short of equaling the first trilogy in thematic merit, character drama, or complexity of plot, this book is fantastic. The tone is there. The voice is more mature. And the story is still compelling. Being the lesser of this universe is still a high praise and Iron Gold remains standing far above what Pierce’s contemporaries dream of achieving. Worth reading. Not worth comparing to his first.

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